
In spite of the title, there will be no ROUSes (Rodents of Unusal Size), no Six Fingered Men, & no love in the Fire Swamp. There will also be no more rhyming, & I mean it. (Though I will give props & bonus points to the first person to successfully finish off that quote. It's my mom's favorite.)

A realization.
A moment of clarity.
It's the place you end up when you must reconcile three ugly realities:

Seriously. You have taken every workshop, tried every technique, read every craft book & worked your tail off. You have dug deep, you have summoned up your courage & honesty, & you have put your heart on the page. On lots of pages. Maybe a book or two (or three or four) worth of pages.

You've queried every editor, every agent. You're written a kick-ass query letter, your synopsis rocks. You've endured the sound & fury of the contest circuit, & flung yourself on the mercy of every person even remotely interested in critiquing you. You've even (saints preserve you) pitched in person. Maybe you have an agent. Or even a contract. But you're doing the work. You're out there.

Your contest scores blow. Or maybe they don't. Maybe you're winning contests, but not getting requests from editors. Or maybe you are. Maybe you're getting full requests, but getting form rejections that get your name wrong. Or maybe that agent you sweated blood for just blew you off. Or maybe your long awaited publication date just got pushed back. Again. Or maybe book two on your contract just got shredded by your editor & you're pretty sure you only had one decent book in you.
Welcome to the PoD.
Good news, though. You're in good company. Hell, you're in great company. NYT best-selling company. And how do I (not remotely a NYT best-seller) know this?

She got choked up & had to stop to collect herself so she could go on. Fifteen years after the fact, fifteen years in which presumably she's gained a certain amount of confidence in her talent, she still remembered so vividly what it was like to live in the PoD--and how it felt to be so miraculously released--it could move her to tears. I don't think there was a person in the audience who wasn't moved by that. Or inspired.

So when I find myself in total despair (like when I read anything by SEP or Kristin Higgins & realize I will never write anything that witty or charming), I like to reframe things. Because what if the PoD isn't a death sentence? What if it's a prerequisite? Because here's something I know:

And if they can go on to own the list, why can't we?
So, tell us. Spent any time in the PoD lately? What--or who--pulls you out when you fall in? Share!
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